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Courses3D-PrintingClay 3D-Printing: Beyond Digital Design
Aug 15-16, 202611 lessonsIntermediate
3D-PrintingFREE with Full AccessWorkshopAug 15-16, 2026Intermediate11 lessons7h 4mParametric DesignRobotic Fabrication3D Printed ArchitectureClay 3D Printing

Clay 3D-Printing: Beyond Digital Design

Clay 3D-Printing: Beyond Digital Design is a 2-day digital fabrication workshop that teaches material-aware design for clay 3D printing using Rhinoceros and Grasshopper. Participants study material behavior in semi-liquid fabrication processes, generate toolpaths and print paths parametrically, and produce a customized brick element or facade system. The workshop concludes with live clay printing of participant designs at ZHAW's Digital Lab using a Delta WASP 40100 Clay printer, with remote participation via Zoom. No prior Rhino or Grasshopper experience is required.

Learn from Edurne Morales
FREE with Full Access

Instructor

Edurne Morales1 course

  • Aug. 15-16, 202614:00 - 18:00 (GMT)
  • 7 Hours 4 MinTotal duration
  • Lifetime accessRewatch anytime
  • IntermediateLevel
  • 50 seatsClass size
  • EnglishLanguage
  • EnglishSubtitles
  • 11 LessonsLessons
  • CertificateIncluded
  • Course filesDownloadable

The possibilities of digital fabrication go beyond the creation of complex geometries; interaction with materials offers opportunities for expression or for exploiting their characteristics. This also means that the physical prototypes will often look or react differently from what was assumed digitally.

This workshop will focus on the capabilities of materials and how to plan for their use in digital fabrication, with a particular practical focus on semi-liquid materials for 3D printing applications. The specific application will be the creation of a standard brick element or set of elements with a customized intervention for facade or other applications.

Through theoretical and practical sections, the participants will learn about: diverse cases of material reactions using multiple digital fabrication processes; how 3D printing with robots and printers works; and some possibilities, particularly with clay printing.

In the practical section, the participants will learn the basics of Rhinoceros and Grasshopper, the main software I use for these applications, specifically for printing applications, and will be able to produce geometries for 3D printing and test their assumptions by physically prototyping through Zoom at ZHAW’s digital lab using a WASP Clay 3D printer.

  • 01

    Understand material behavior in digital fabrication and in clay 3D printing.

  • 02

    Design and model architectural elements using Rhino 8.

  • 03

    Develop parametric systems using Grasshopper.

  • 04

    Generate and prepare 3D-printing toolpaths for fabrication.

  • 05

    Translate digital designs into robotic and printer-based workflows.

  • 06

    Participate in live clay 3D-printing and physical prototyping.

Rhinoceros 3DGrasshopper 3DKUKA PRCRobotsCura

The workshop will have a theoretical and a practical section. 

We start with a theoretical section by going through:

  • Case studies using diverse fabrication processes, with specific examples on semi-liquid materials. 
  • Introduction to the 3D printing process, and the particularities of robotic and printer-based 3D printing. Such as production capabilities, scale, programming, and data generation.
  • Considerations and possibilities when printing with clay: viscosity, texture, drying stages, firing, additives, paints, and glazings.

And follow with a practical section, which will be individual or groups (depending on the quantity of participants) and will involve:

  • Tutorial on print path generation, effect, texture, and shape manipulation
  • Tutorial on data generation for robots and 3D printers
  • Workshop time for technical doubts and design
  • Practical workshop for the application of print path using a Delta WASP 40100 Clay, available at the Digital Lab in ZHAW

The typology to be used is a standard brick, which participants will manipulate individually or as a system to apply specific textures, functions, and details. The main software used will be Rhinoceros and Grasshopper, which will be used to generate the geometries and print paths.

Program of the Workshop

Day 1:

  • Introduction by tutor and digital fabrication case studies
  • Introduction to 3D printing (robots and 3D printers), clay, and ceramics
  • Tutorial [Rhinoceros + Grasshopper]: Toolpath generation options (textures, effects, infill, height, and shape control)
  • Individual design development and technical Q&A

Day 2:

  • Review of participant designs
  • Technical troubleshooting and discussion of participant work
  • Tutorial [Grasshopper (KUKA PRC, Robots), Ultimaker Cura profile manipulation]: Fabrication data generation, simulation, and visualization
  • Introduction to material preparation and machine setup, tips, and best practices
  • Live 3D printing of participant designs (participants will print one or two projects)

11 Lessons7h 4m

Instructor

Edurne Morales

View profile
5.0instructor rating1course

Edurne Morales is a Mexican architect whose work focuses on computational design solutions, development of non-standard fabrication processes, and the introduction of natural materials for applications in architecture, objects, art, aerospace, and automotive sectors. She has participated in projects such as Mexico City’s New International Airport (FREE + Foster & Partners), Clay Rotunda (GKR, ETH Zurich), Magic Queen (MAEID - Venice Biennale 2021), BMW M Visionary Seat (BMW + Gradel LW), Un Proyecto de Talavera (MANUFACTURA), earthprinting (ZHAW). Edurne is a co-founder of MANUFACTURA (Mexico) and Robocraft (UAE), and is currently a researcher at Zurich University of Applied Sciences (ZHAW).

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This course was especially valuable for my AutoTroph research because it develops the kind of computational thinking needed to work with adaptive architectural systems. The progression from mathematical surfaces and data structures to recursive algorithms, meshes, and volumetric modeling shows how design can emerge from rules, relationships, and feedback. Rather than treating Grasshopper as a form-making tool, the workshop encourages participants to design the process itself, which closely aligns with my interest in architectures that can respond, transform, and evolve.

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Excellent Course for Architectural Competitions

A very useful and well-structured course that clearly explains how to use AI throughout the architectural competition process, from understanding and rethinking the brief to concept development, visualization, presentation boards, and final submission. I learned practical methods that can improve creativity, workflow, storytelling, and the overall quality of competition projects.

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This course introduced me to the fundamentals of how data can be effectively utilized and exchanged between software systems. Despite having very limited coding knowledge, I realized that the barrier to entry has become significantly lower, enabling anyone to explore “vibe coding” and create innovative solutions without requiring extensive technical expertise.

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A great introduction to AI-driven architectural modelin

A very insightful workshop exploring how AI agents can interact with Rhino and Revit to create and modify geometry, work with BIM data, and automate repetitive tasks. It offered a practical perspective on how AI can become part of the architectural workflow beyond image generation and visualization.

Maria Alejandra HerreraArchitect

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€85.00€100.00

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Pro Membership€72.25Save €12.75 on this courseFull Access€0.00Plus every other course
InstructorEdurne Morales
Regular Price
Save €15.00
€85.00€100.00
Pay less with membership
Pro Membership€72.25Save €12.75 on this courseFull Access€0.00Plus every other course