Course Content
This workshop explores computational design and 3D printing workflows in Rhino and Grasshopper to create fabrication-ready interior wall systems.
2 courses4.7
In the modern interior, walls are no longer passive boundaries. They have become canvases for architectural expression. This workshop explores the shift toward Maximum Dimension design, where 3D printing enables the creation of complex, non-repetitive, high-relief surfaces that were previously cost-prohibitive or difficult to manufacture.
By extending textures from floor to ceiling, participants will explore how immersive sculptural wall environments can be created. These surfaces behave as three-dimensional landscapes, changing with the viewer’s position and the direction of light. Rhino 3D and Grasshopper are the primary tools used throughout the workshop, providing the precise mathematical control needed to bridge the gap between creative form-finding and machine-ready form-making.
How to translate 2D patterns into 3D-printable relief systems
Principles of fabrication-aware design, including no-support geometries
Advanced Grasshopper workflows for integration and slicing logic
Techniques for managing large-scale data in high-resolution 3D prints
Strategies for interlocking, mounting, and assembling 3D-printed wall panels in real interiors
The workshop follows a Design-to-Fabrication (D2F) workflow to produce construction-ready wall panels. Instead of designing form first and addressing fabrication later, manufacturing constraints are embedded directly into the design process. These include nozzle size, layer logic, structural reinforcement, and interlocking mechanisms.
Day 1: Design Logic & Materiality
Day 2: From Digital Mesh to Physical Tectonic
Course Content
The course was well structured and informative. More interaction with direct communication through live cam or mic would be beneficial. Overall, the impressions are good and I would consider enrolling to another course soon.